![]() you end up just doing your best to translate and only laugh harder when lester starts laying it on thicker for a laugh. the bear builder has and issue understanding lester’s slurred country talk, and it makes you want to laugh so hard because it’s obvious they’re from out of state. lester gets her a bunny because of how much jonesy loves them. you both decide that your gonna get on each for her. ![]() once he makes it inside he gets pumped and asks if he can give his to jonesy. michael is on the floor sewing the heart back inside of it. later that night, you find “no” stabbed, half of it’s stuffing on the floor leaving a trail to his body. when he names it, he just sits at the computer and stares. the bear has a black shirt and some jeans and that’s it, the clothes barely fit, and it is almost impossible to put them on. after wards he takes the heart and pockets it. the bear builder tries to pick it up, but michael steps on it, basically telling them to sew the bear up without it. barely holds the heart before dropping it onto the back instead of stuffing it in and watching it fall to the floor. his bear is completely over stuffed and hard as a rock. he doesn’t seem to care, picking his build a bear after staring at them. he’s intimidating, hair pulled back into a messy bun, face full of stubble, blue eyes cutting into everything and everyone. Somehow you got michael maskless and dressed in normal people clothes and inside of a mall. he may or may not make a small machete for mr fluffington so he can gaurd the cabin. the cashier takes a picture of you on the polaroid and jason is very happy with it. he ends up naming his bear mr fluffington due to the help of the children who decided jason was their new best friend. and oh god, there’s little kids who can’t quite reach things and he is helping them, and somehow there are now two kids sitting on either side of him helping him make his birth certificate for his new stuffed animal and jason is just so happy and enjoying himself despite the fact that the children’s mothers look slightly terrified. he’s having so much fun and you can tell. he picks out an outfit similar to his, a bit sad there is no mask or little machete. he gets his build a bear soft, barely stuffed so that it falls over when it’s sitting. ![]() he will without a doubt do everything with such dedication and seriousness during the heart ceremony that the bear builder is a bit nervous. he may not speak but fuck he is so excited to do this with you, and you look so fucking happy and excited. This boy will dead ass put on his best clothes, his gloves, a hat, a face mask, sunglasses, and come to build a bear with you. ![]() None of this at all stops him or deters him, except for some occasionally funny reactions. He was the first superhero, he is the strongest of them all still, but he never really gets credit for it, it nor does he even want to. He goes to rescue a woman dangling off a building, and then he gets attacked by like three different superhero teams who assume he must have kidnapped the poor damsel. He doesn't get asked to lead superhero meetings or teams even though many in the community advocate for just how much he does for the world, he gets censored out of tv broadcasts or group shots (even his face is sometimes pixelated when they do show him), people invite him on talk shows and don't really let him talk or assume they got the wrong guy. He goes to rescue old people in peril and occasionally they yell at him that they don't have any money. It becomes a running gag that people tend to assume some nearby fireman or cop was the one who rescued the hundred orphans out of a burning building single-handedly, meanwhile he's getting accosted off-panel by police officers who think he set the building on fire, or think they can bully this weird man dressed funny. I hesitate to call what Siegel and Shuster were doing “subversive” because that term's picked up a real negative connotation, and it's not like Siegel and Shuster were out to upend their influences (they were pulp aficionados themselves), but rather putting a more positive, new spin on them. Even the name Super-Man was taken from an early story of Siegel and Shuster about a telepathic villain who ends the story lamenting that he should have used his powers for the good of mankind instead of selfishness. Superman right from the start was rooted in a much stronger conceptual underpinning: the Sci-Fi Superman and Alien Menace who, instead of being a tragic monster or a tyrannical villain, becomes a costumed adventurer and social crusader. Batman was, ostensibly, a pulp character adapted to comics, a dime-a-dozen Shadow knock-off who picked up and played up diverging traits from other characters and gradually ran with them to gradually forge a unique identity. Part of the reason why it's harder is also because Batman and Superman have very different relationships with their pulp inspirations.
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